Per chi ha amato i due documentari sul progressive rock d'avanguardia dal titolo Romantic Warriors, realizzati da Adele Schmidt e José Holder, è in lavorazione un terzo capitolo dedicato esclusivamente alla scuola di Canterbury (uscita prevista tra la fine 2014 e inizio 2015). Si può contribuire alla campagna di finanziamento tramite questa pagina Indiegogo.
It is our
pleasure to introduce to you our third film in the Romantic Warriors - A
Progressive Saga series that will guide you through the amazing history,
development of the Canterbury Scene and its influence on contemporary bands.
The Canterbury Scene of the late 60s and
early 70s marked a remarkable period in the history of British progressive rock
music and, most notably, the development of jazz rock. A number of later
bands that formed outside of Canterbury have been labeled as “Canterbury bands”
(including a few in Europe), some of these bands were founded by a member of
Soft Machine or Caravan while others were obviously influenced by these
Canterbury groups. The scene was a breeding ground for world class players of
considerable harmonic sophistication who innovated and expanded the music of
their time.
•Wilde Flowers (UK)
•Soft Machine (UK)
•Caravan (UK)
•Gong (France)
•Uriel (UK)
•Egg (UK)
•Matching Mole (UK)
•Hatfield and The North (UK)
•Gilgamesh (UK)
•National Health (UK)
•Quiet Sun (UK)
•Supersister (Netherlands)
•Moving Gelatine Plates (France)
•The Muffins (USA)
Celebrated underground, the legacy of Canterbury music continues to flourish in the innovative work of contemporary bands such as:
In addition we'll hear the opinions of many younger contemporary musicians that are members of some of the bands mentioned above, Canterbury Scene experts, label owners, and fans of the Canterbury progressive scene. Interviewees include Michel Deville, Susan Clynes, Antoine Leguet, Marc Capel, Alfonso Muñoz, Vasco Trilla, Liam Magill Joel Magill, Raven Bush, Fred Rother, Bruce gallanter, and Leonardo Pavkovic.
Through interviews with "Canterbury Scene" musicians, clips
of live performances, photographs, and current/archival footage, the film takes
a closer look at the bands that are now considered a part of the Canterbury
Family Tree.
The film highlights the following 60s/70s Canterbury
Scene bands:
•Wilde Flowers (UK)
•Soft Machine (UK)
•Caravan (UK)
•Gong (France)
•Uriel (UK)
•Egg (UK)
•Matching Mole (UK)
•Hatfield and The North (UK)
•Gilgamesh (UK)
•National Health (UK)
•Quiet Sun (UK)
•Supersister (Netherlands)
•Moving Gelatine Plates (France)
•The Muffins (USA)
Among
the musicians of the Canterbury Scene (that were active in the 70s), so far we
have interviewed the following:
Pye
Hastings & Geoffrey Richardson, (Caravan) Dirk "Mont" Campbell (Uriel,
Egg), Brian Hopper, (Wilde Flowers, Zobe), David Sinclair (Caravan, Hatfield
and The North), Bill MacCormick (Matching Mole, Quiet Sun), Robert Jan Stips
(SuperSister), Didier Malherbe (Gong) Phil Miller (Delivery, Hatfield and The
North, National Health, In Cahoots), Roy Babbington (Nucleus, Delivery, Soft
Machine), John Etheridge (Soft Machine), Didier Thibault (Moving Gelatine
Plates), Patrick Forgas (Forgas), Benoit Moerlen (Gong, Pierre Moerlen’s Gong,
Mike Oldfield’s Band, Gongzilla), and Theo Travis (Soft Machine Legacy, Steven
Wilson).
Celebrated underground, the legacy of Canterbury music continues to flourish in the innovative work of contemporary bands such as:
•Soft Machine Legacy
(UK)
•Forgas Band Phenomena (France)
•The Wrong Object (Belgium)
•Syd Arthur (UK)
•Planeta Imaginario (Spain)
•Forgas Band Phenomena (France)
•The Wrong Object (Belgium)
•Syd Arthur (UK)
•Planeta Imaginario (Spain)
In addition we'll hear the opinions of many younger contemporary musicians that are members of some of the bands mentioned above, Canterbury Scene experts, label owners, and fans of the Canterbury progressive scene. Interviewees include Michel Deville, Susan Clynes, Antoine Leguet, Marc Capel, Alfonso Muñoz, Vasco Trilla, Liam Magill Joel Magill, Raven Bush, Fred Rother, Bruce gallanter, and Leonardo Pavkovic.
The film is sure to raise some controversy and debate. Most
of all, however, it will send you back to listen to classic Canterbury cuts of
the past, present -- and future.
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